Topic A: Humanitarian Concerns in Congolese Artisanal Mining

There are very few issues which so directly interrelate forced child labor, gendered-occupational hegemony, sexual and economic exploitation, environmental and health degradation, and the marketing of 3TG conflict materials as Congolese artisanal mining—a subset of mining qualified by its rudimentary equipment/resources and labor-intensive dependencies. During the mid-1990s, Africa was plagued with a maelstrom of regional conflicts (known as ‘Africa’s World War’ or ‘the Second Congo War’) that ravaged the conventional socioeconomic structures (i.e., agriculture, small-scale trade, and hydroelectricity), thereby serving as a harbinger of artisanal mining. The World Bank spoke to this attraction towards a novel form of mining—due in part to its ease of control, accessibility, and quick cash turnaround—and how the phenomena of mining-towns developed; armed militias and national groups, during and after the conflict, taxed vulnerable populations working in these mining towns in exchange for ‘protections.’ In 2024, the US Embassy in the DRC spoke of how “[refinement] supply chains[, which often operate from the DRC through Ugandan and Rwandan smuggling networks,] facilitate illicit exploitation and taxation of these minerals, often involving acts of corruption [benefitting armed conflict groups]”—these vulnerable workers are often paid an infinitesimal proportion of the value of the final refined good. Such exploitation of ‘conflict’ or 3TG materials, integral to global technologies, corroborate the economic structures of mining towns where women are ostracized from higher-class jobs and situationally coerced into exchanging sexual favors for economic welfare, their peoples are subject to the “worst forms of child labor”(USEDRC), and working conditions are secondary to profitability; still, many Congolese inhabitants of such towns support it, for it is their socioeconomic backbone to survive. In March of 2026, the Associated Press cited at least 200 deaths from a collapse of artisanal mining tunnels following a landslide; the repercussions of Africa’s World War remain to this day and engender this committee with the writ to end the decades-long humanitarian crisis.


Topic B: The Artificial Crux: Cultural Damages from Parasocial Relationships & Digital Nomads

The digital era enables us to engage within an artificial reality, fabricated by influencers, world governments at times, and us users ourselves; let us explore two primary examples: parasocial relationships and digital nomads. Regarding the former: Cynthia A. Hoffner and Bradley J. Bond defined “[p]arasocial relationships (PSRs) [as] nonreciprocal socio-emotional connections with media figures such as celebrities or influencers[, often leading to adverse psychological effects].” To elucidate, John Hinckley Jr. attempted to assassinate Ronald Reagan due to a parasocial relationship with Jodie Foster as he believed such notoriety would woo her. The latter describes a modern phenomenon in which people work remotely through the aid of technology, encompassing social media influencers who travel to foreign destinations and often craft an aestheticized destination in an attention and sponsorship economy; governmental bodies and non-governmental parties can pay such influencers to fabricate a beneficial online perception. Both examples contain obvious distortionary effects to the individual psyche, to the realities of a country, and for the erasure of humanitarian conflicts. Further, these may catalyze the commodification of an idealized culture and local qualities; luxury hotels may influence advertisements to showcase the country as falsely luxurious, hiding wage and QoL differentials, while governments purchase such aforementioned erasures of war crimes. Japan has attracted ‘Weeaboos’ who adopt an ‘online’ version of Japanese culture and repudiate their own. Many, however, trivialize or falsely exacerbate these online constructions, hence there’s one question: in an era where artificiality and reality are becoming increasingly arduous to distinguish, is this a problem?

 

Meet your Dias!

Azhaan Khalid, Director

Azhaan is a third-year studying Economics and English Literature with International Humanitarian and Corporate Law aspirations; he wishes to pursue this through an interdisciplinary approach, interrelating central global structures spanning from international finance to law & literature. This is his second year at UCMUN (serving previously as an AD for an Ad Hoc committee on the African Council). On campus, he also holds positions in the Humanitarian Arts Society and The Daily Campus. Outside of UCMUN, he enjoys skiing, swim & dive, travelling, creative writing, artistry, volunteering at his local food bank, and more. Feel free to reach out with any questions or concerns at azk23005@uconn.edu